I Wayan Agus Suardiana Putra, 0204518017 (2020) GENDING TARI TOPENG SIDAKARYA: GARAP TETABUHAN DAN NILAI PENDIDIKAN TRI HITA KARANA PADA UPACARA ODALAN DI PURA AGUNG GIRI NATHA SEMARANG. Masters thesis, UNNES.

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Abstract

The odalan ceremony requires performing the Sidakarya Mask dance, including the odalan at Pura Agung Giri Natha Semarang. However, the absence of future generations to preserve this ancestral heritage, especially in the work of supporting music for the Sidakarya Mask dance. In the process of working on it in 2019 it was very successful when compared to the cultivation of the Sidakarya Mask dance music at previous odalan ceremonies. The working process is an indication of the educational value of Tri Hita Karana which is represented in it. The method used in this research is a qualitative descriptive analytic method with a phenomenological approach to the working paradigm and the educational value of Tri Hita Karana. Data obtained by using observation, interview, and documentation techniques. The data analysis technique used intrinsic and extrinsic analysis techniques, and the data were analyzed with the stages of data reduction, data classification, and data display. The validity of the data used the credibility test (internal validity), transferability (external validity), dependability (reliability), and confirmability (objectivity). The results of this study indicate that the elements of the tetabuhan form of the Sidakarya mask dance are called percussion besik called tabuh Segara. Tabuh Segara consists of 3 parts, namely the kawitan, pengawak, the penyawak/ penyuwud part in which there are elements of a melody pattern; contained in the real Ugal, Jublag, and Jegogan games; Rhythm pattern elements are found in real Ugal, Pemade, Kantil, Kendang Lanang and Wadon, Reyong, and real Kajar. The elements of the harmony pattern are the ngumbang and ngisep systems. In the process of cultivating the Sidakarya mask dance, there is a representation of the educational value of Tri Hita Karana, namely the value of harmonizing human with God (parhyangan) education, the value of harmonizing human-nature education (palemahan), and the value of human-human harmonization education (pawongan). Related values are found in the work of the Sidakarya Mask dance work when the Puspa Giri Art Studio plays the work, namely religious values, religious values, responsibility, discipline, hard work, self-confidence, self-awareness, smart, risk�taking, cooperation, and tolerance value. Suggestions on the form of tetabuhan are studied more deeply by being able to find new terms, and in the educational value section, Tri Hita Karana can be found in various cultivation, artistic activities that exist throughout the archipelago.

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